By following the subjects home he unveils the true nature of these people and with them still in their costumes creates a contrast between the amazing and the mundane. Unmasking them through their homes and their chores. In that domestic context, the need to dress as comic book characters becomes more pronounced and obsessive, that on the street where it makes some sort of sense.
Gregg Segal - 'Captain America getting his mail' 2009 |
Gregg Segall - 'Spiderman hanging laundry' 2006 |
Gregg Segal - 'Spiderman drinking grape juice' 2006 |
These vivid portraits succeed in both being funny and poignient, mixing the reality with humour produces what I feel a well rounded image. By following the "actors" home he looks beyond the obvious, giving the subject more of a sense of individuality and a voyeuristic look in to the real worlds of the people. Also i feel prehaps by masquerading themselves as these icons and posing for pictures with tourists, it allows
them an illusory sense of stardom.
Gregg Segal - 'Batman on his bike' 2006 |
Whilst looking at Segal's work I came across the works of photographer Agan Harahap, and his series 'Super Hero' which looks at memorable black and white political and war time scenes, and then placed with in these scenes are superheros, as if there to hel the situation, much like in the superhero films.
Agan Harahap - 'Greenham Air Field, June 5th 1944' 2009 |
Agan Harahap - 'A Camp Near Minsk, 1941' 2009 |
Agan Harahap - 'Cherbourg Normandy 1944' 2009 |
Websites
www.greggsegal.com
www.behance.net/aganharahap
www.melmanandthehippo.blogspot.co.uk
No comments:
Post a Comment